Flight center gothic typeface11/7/2023 Then the OpenType variable fonts announcement happened, and it’s like, “Oh, we can skip that awkward transitional phase.” I think that’s really cool. Originally, I thought there would be this in-between period of people making hacks to get stuff to work until there was actually a formal specification for it. NS: I started writing about this stuff a few years ago, publishing things on A List Apart. The idea of a reaction to the user has already been invented.” ![]() We’ve already got some nice interfaces there. When I saw the presentation about Variable Fonts, this was the first thing that came to mind. About Marko Dugonjić’s experiment of changing the font size the closer or further from the screen you are. IR: I remember one of your lectures about responsive web design several years ago. There are some places where, yeah, that’s very much what’s going on. NS: If you’re talking about “type today” in a broader sense, it depends a lot on the context, because even with the technology, you could talk about variable fonts as being the most “today” thing out there in the type world. IR: Ok, but getting back to the subject: Where are we now? You’ve been observing the industry for a while probably like me, for over 10 years, right? What do you think? Papanek Typeface by Nick Sherman Margo Typeface by Nick Sherman Flight Center Gothic Typeface by Nick Sherman Forester Typeface by Nick Sherman Strike Typeface by Nick Sherman Kultur Typeface by Nick Sherman I have a long list of typefaces that are complete enough that I can use them for my purposes and those of the people that are paying me to start them, but I wouldn’t feel comfortable putting most of them on the retail market with any expectation that they’re totally polished. They’re just in various stages of completion. ![]() Nick Sherman: Right now, my day-to-day work is split about 50/50 between web design and custom-type design.ĭavid Jonathan Ross: You don’t see it, but I think you, Nick, have more type families than I do. ![]() The counters are now populated by food vendors selling paninis, fruit bowls, empanadas and falafel, plus an Intelligentsia coffee bar.Ilya Ruderman: I’m looking for any observations about the current times, about technologies today, about what “today” means for you guys. To the left is the hotel check-in desk, in front of what used to be baggage claim, and to the right is the Departures Hall food hall, where travellers like myself dropped their bags and picked up their paper boarding passes. I’m greeted at the information desk with its Solari di Uldine split flap arrivals/departures board (one of two) by a woman outfitted in a neat-as-a-pin TWA uniform, hat at the perfect angle and scarf tied just so (she was later replaced by other greeters wearing pilot uniforms with gold epaulettes). (That the TWA colors and MAGA hats are both red and white is pure coincidence.) This version of American history is thrown into relief by the highly diverse staff working here, who thankfully keep the whole thing from turning into some kind of time travel cosplay.īut that doesn’t take away from how simply spectacular it looks how thrilling the pale, soaring, concrete ceilings and original Chili Pepper Red Carpet are to the eye. America’s many faults were hidden from view, and the hotel embodies a glamorous look back at a time that was very good indeed, but only for some. What couldn’t America do? Leading Nato and containing the Soviets, sending astronauts into space, building suburban dreamscapes and thousands of oversized cars made of American steel. ![]() This was during the height of American power at the peak of the American century.
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